The overturning and decapitation of the preform as well as the “peeling” (removing tapes or knots used to prevent the edges of the ropes) were the only actions I undertook to do personally. The preform itself illustrates the end-
(Its fictitiousness) as it is symbolically changed from an immigrant to a society as an artist in
The lamb of God or something unpredictable.
The project invites viewers to keep the liquidity of the settlement / action / act of solidarity-
By adding their own ropes, knots and bindings in linguistic characters or prints of a collector-